Early 2000s Fashion Related to Music Beanies

Hip hop style (also known every bit rap fashion) is a distinctive style of clothes originating from Urban Blackness America and from inner city youth located in New York City, followed by Los Angeles, then other US cities.[one] All accept contributed various elements to the overall fashion seen worldwide today. Hip hop fashion complements the expressions and attitudes of hip hop civilisation and has changed significantly during its history. Today, information technology is a prominent fashion worn across the whole world and popular with all ethnicities.

Late 1970s to mid-1980s [edit]

In the tardily 1970 sportswear and fashion brands such every bit Le Coq Sportif, Kangol, Adidas and Pro-Keds were established, attaching themselves to the emerging hip hop scene.

During the 1980s, hip hop icons wore brightly colored name-brand tracksuits, sheepskin and leather bomber jackets,[2] backpiece jackets,[3] Clarks shoes,[2] Britishers (likewise known every bit British walkers) and sneakers. The brand of sneaker that hip hop icons would utilise included Pro-Keds, Puma, Converse Chuck Taylor All-Stars and Adidas Superstars often with oversized or "phat" shoelaces. Popular haircuts ranged from the early-1980s Jheri curl to the early-1990s hi-top fade, popularized by Will Smith (The Fresh Prince) and Christopher "Kid" Reid of Kid 'due north Play, amongst others. Another trend in hip hop clothing, pioneered by Dapper Dan in the early on 1980s, was the adaptation and brandishing of loftier-net-worth mode house brands such as Louis Vuitton, Fendi, Gucci and logos in custom-designed tracksuits, jackets and mink coats.

Trending accessories included large eyeglasses (Cazals[4]),[2] Kangol bucket hats,[two] nameplates,[two] name belts,[2] multiple rings and heavy gilt jewelry.[v] In full general, men'due south jewelry focused on heavy golden chains and women's jewelry on big gold earrings.[5] Performers such every bit Kurtis Blow and Large Daddy Kane helped popularize gold necklaces and other such jewelry, and female rappers such equally Roxanne Shanté and the group Table salt-N-Pepa helped popularize oversized gold door-knocker earrings. The heavy jewelry was suggestive of prestige and wealth, and some take connected the style to Africanism. MC Schoolly D, for instance, claimed that wearing gilt "is not something that was born and raised in America. This goes dorsum to Africa... the artists in the rap field are battling. We're the head warriors. We got to stand up and say we're winning battles, and this is how we're doing information technology."[half dozen]

1980s hip hop fashion is remembered as one of the most of import elements of onetime schoolhouse hip hop, and is ofttimes celebrated in cornball hip hop songs such as Ahmad's 1994 single "Back in the Mean solar day", and Missy Elliott's 2002 single of the same name.

According to Gwendolyn O'Neal, the author of African American Aesthetics of Wearing apparel (1997), "While an African-American aesthetic of dress is neither African nor American, information technology is shaped by unique 'cultural' experiences resulting from being of African descent and living in America."[7] The rapper Jay-Z echoed this in a Black Book Magazine interview; he defended the upper-grade tastes of fashion in the hip hop culture as "living information technology on our terms, instead of trying to emulate an elite lifestyle" with the wearing of high-net-worth manner firm brands. It is not necessarily because of conspicuous consumption that the hip hop lifestyle brought in these high end fashion products.[vii]

Preppy [edit]

Preppy looks also caught on with 80s youth in the first wave of hip hop influence. "This group of black yuppy wannabes or 'buppies' rocked to 80s hip hop music and wore styles from Polo, The Timberland and Tommy Hilfiger ... [and] were drawn to Hilfiger because of its all-American, WASP-y, country gild feeling—information technology was exclusive and aspirational".[eight] The immense popularity of the brand Tommy Hilfiger amidst the hip hop subculture customs then led to the brand'south global expansion.[7]

Glory influence [edit]

Equally music played a significant function in the style people dressed during the 1990s, many celebrities were known as fashion icons, especially rappers. Legendary rapper, Tupac, was not only known for his resonating lyrics, just too his timeless style. He was seen as a trend setter during that period. His signature, archetype style were bandanas paired with baggy overalls or Red Wings jersey. In return, he made bandanas into an iconic headwear accompaniment.[ix] Today, his fashion influences has taught society to be more acceptable towards different styles too as inspired mode designers from all over the world to be innovative towards their designs. Furthermore, Snoop Dogg's strong charisma and his laid-back approach to his rhymes complemented his flannel and sweatshirts with Chucks. When he revamped his style to a cleaner cut of suited and booted look, his Doberman-like facial features and slender frame were masked by his charisma and chichi vibe. He has since influenced people that with pride comes with confidence, which is the fundamental of feeling comfy and looking good in your individual fashion style.[ten]

Moreover, hip hop has also adopted and then transformed traditional or "quondam globe" luxury symbols and made them mod-24-hour interval, "absurd" commodities. Rapper LL Cool J wore a Kangol hat dorsum in the 1980s, when few Americans knew anything about the European hat maker, only its association with hip hop would invigorate the make. In 2003, London-based Kangol acknowledged the popularity given its sixty-year-old brand by a immature LL Absurd J in 1983.[7]

Late 1980s to early on 1990s [edit]

Black nationalism was increasingly influential in rap during the late 1980s, and fashions and hairstyles reflected traditional African influences.[5] Blousy pants were popular amid dance-oriented rappers like M.C. Hammer.[v] Fezzes,[5] kufis decorated with the Kemetic ankh,[5] Kente cloth hats,[five] Africa chains, dreadlocks, and Black Nationalist colors of red, blackness, and green became popular as well, promoted by artists such every bit Queen Latifah, KRS-1, Public Enemy, Native Tongues and Ten-Clan.

Hip-hop manner in the 1990s slowly evolved from the 1980s as the hip-hop community started getting influenced by traditional African-American dressing. Bright colors, large pants and headwear were the elements, which inspired the style of dressing in the early 1990s.[11] Will Smith'due south grapheme from The Fresh Prince of Bel-Air is a distinctive example of the classic style and fashion trends of the 1990s. His character is ever seen dressed in vivid colorful garments, throwback jerseys and a baseball cap. In addition, rappers like Kid 'northward Play, Left Heart of TLC likewise popularized the bright colored clothing and baseball caps. TLC and late R&B vocalizer Aaliyah also created a fashion tendency among women. Amorphous pants paired with a ingather superlative or a sports bra and occasionally a big flannel was ane of their many iconic looks. This was to show their own version of femininity, and to express that everything does non have to be form-fitting and tight in order to be sexy.

Kris Kross established the fad of wearing clothes backwards.[5]

Kwamé sparked a cursory trend of polka-dot clothing.[ commendation needed ]

In 1984, Nike collaborated with Michael Jordan to create the well-known basketball game shoes, the Air Jordans. Even though the toll point ranged from US$100 (which was considered a high price indicate then), it did non stop people from lining upwardly hours merely to become their hands on a pair of these shoes. To date, Air Jordans are however widely worn by basketball players, and with Nike releasing retro versions from time to time, which sell out globally within minutes of the release date.[12] Other clothing brands such as Reebok, Kangol, Fila, Champion, Carhartt, and Timberland were closely associated with the hip hop scene,[ citation needed ] particularly on the East coast with hip hop acts such equally Wu-Tang Clan and Gangstarr sporting the expect. Adidas also had large bear on in streets with RUN-D.M.C when the band's now iconic hit song "My Adidas" drop in 1986.[13]

Gangsta rap pioneers N.W.A popularized an early on form of street mode in the tardily 1980s from the African American gangs and hustler cliques who were in that location mimicking cholo fashion. This included Dickies pants, white T-shirts, Locs sunglasses, Air Hashemite kingdom of jordan sneakers, with black Raiders snapback hats and Raiders Starter jackets. These jackets were likewise a popular trend in their ain right in the tardily 1980s and early 1990s. They became something of a status symbol, with incidents of robberies of the jackets reported in the media.[fourteen]

Hip hop fashion in this period also influenced loftier manner designs. In the belatedly 1980s, Isaac Mizrahi, inspired by his elevator operator who wore a heavy golden chain, showed a drove deeply influenced by hip hop fashion.[15] Models wore blackness catsuits, "gilded chains, big gold nameplate-inspired belts, and black bomber jackets with fur-trimmed hoods."[15] Womenswear Daily called the look "homeboy chic."[15] In the early 1990s, Chanel showed hip hop-inspired fashion in several shows. In i, models wore blackness leather jackets and piles of gold chains.[15] In another, they wore long black dresses accessorized with heavy, padlocked silverish chains.[xv] (These silver chains were remarkably similar to the metal concatenation-link and padlock worn by Treach of Naughty past Nature, who said he did so in solidarity with "all the brothers who are locked downwardly.[15]) The hip hop tendency in high fashion, yet, did not terminal.[sixteen]

The eight-brawl jacket, created by designer Michael Hoban in 1990, was trendy during the 1990s, particularly in the E Declension hip hop scene of New York Metropolis. The style is characterized by bright colour-blocking and large black and white decals on the dorsum and sleeves, made to await similar the eight ball used in some cue sports.[17]

Mid- to tardily 1990s [edit]

Fashion amongst "hip hop" elites [edit]

On the East Coast, members of the hip hop community looked back to the gangsters of the 1930s and 1940s for inspiration.[18] Mafioso influences, especially and primarily inspired past the 1983 remake version of Scarface, became pop in hip hop. Many rappers fix aside gang-inspired clothing in favor of classic gangster fashions such as bowler hats,[18] double-breasted suits,[18] silk shirts,[18] and alligator-peel shoes ("gators").

This expect transcended into the R&B world in the mid-1990s when Jodeci came onto the scene, who were crooners but with a more edgy and sexual await. Past wearing gangster-style apparel along with the bad-boy attitude and being a R&B group, they appealed to both men and women. They were particularly known for their amorphous clothing, symbolising a hand-me-down from an older relative with a bigger build, equally a sign of toughness.

On the East Coast, "ghetto fabulous" manner (a term coined by Sean Combs) was on the rise.[eighteen]

Urban streetwear [edit]

Tommy Hilfiger was 1 of the nearly prominent brands in 1990s sportswear, though Polo Ralph Lauren, Calvin Klein, Nautica, and DKNY were also pop.[nineteen] Snoop Dogg wore a striped Hilfiger rugby shirt during an appearance on Saturday Night Live, and it sold out of New York City stores the next day.[twenty] Furthermore, Tommy Hilfiger tube tops were likewise a large hitting within the hip-hop community. Information technology was considered a "must-have" slice for every girl influenced by this music genre. Artists like TLC, the late Aaliyah and so on were commonly seen in events dressed in it.[21] Hilfiger's popularity was due to its perceived waspiness, which fabricated it seem exclusive and aspirational.[19] Hilfiger courted the new hip hop market: blackness models featured prominently in the company's advertising campaigns, and rappers like Puffy and Coolio walked during its runways shows.[19]

Karl Kani was some other influential designer who merged hip hop with fashion.[22]

Other brands, such as Nike, Jordan, FUBU, Southpole, Reebok Pro-Keds, Adidas, Eckō Unltd., Mecca USA, Lugz, Rocawear, Dominate Jeans by IG Design, and Enyce, arose to capitalize on the market place for urban streetwear.[ citation needed ]

Throwback clothing [edit]

One sportswear tendency that emerged was the rise in popularity of throwback jerseys, such every bit those produced past Mitchell & Ness. Sports jerseys accept always been popular in hip hop fashion, equally evidenced by Will Smith's early 1990s video "Summer", and Spike Lee wearing a throwback Brooklyn Dodgers jersey in the pic Do the Correct Matter. The tardily 1990s saw the rising in popularity of very expensive throwbacks, frequently costing hundreds of dollars. Hip hop artists donning the pricey jerseys in music videos led to increased demand, and led to the ascent of counterfeiters flooding the market with fake jerseys to capitalize on the craze. The mid-to-late 2000s saw a decrease in popularity of throwbacks, with some hip hop artists fifty-fifty shunning them.[ citation needed ]

The "hip-pop" era also saw the carve up betwixt male and female hip hop fashion, which had previously been more or less like. Women in hip hop had emulated the male person tough-guy fashions such as baggy pants, "Loc" sunglasses, tough looks and heavy workboots; many, such equally Da Brat, achieved this with little more than some lip gloss and a bit of make-up to make the industrial work pants and work boots feminine. The female performers who completely turned the tide, such as Lil' Kim and Foxy Brown, popularized glamorous, high-fashion feminine hip hop styles, such every bit Kimora Lee Simmons' way line of Baby Phat. Lauryn Hill and Eve popularized more conservative styles that nonetheless maintained both a distinctly feminine and distinctly hip hop feel.[ citation needed ]

Bling [edit]

In the mid- to tardily 1990s, platinum replaced gold as the metal of pick in hip hop manner.[five] Artists and fans alike wore platinum (or argent-colored) jewelry, often embedded with diamonds. Juvenile and The Hot Boys were largely responsible for this trend.[5] Platinum fronts also became pop; Greenbacks Money Records executive/rapper Brian "Baby" Williams has an entire mouthful of permanent platinum teeth. Others have fashioned grills, removable metallic jewelled teeth coverings.

With the appearance of the jewellery civilisation, the turn-of-the-century-established luxury brands made inroads into the hip hop market, with brands like Gucci, Louis Vuitton and 212 Diamond Metropolis making appearances in hip hop videos and films.

Modern (2000s–2010s) [edit]

In the 1990s and beyond, many hip hop artists and executives started their own fashion labels and clothing lines.[23] Notable examples include Wu-Tang Association (Wu-Wear), Pharrell (Billionaire Boys Club/Ice Cream), Nelly (Vokal and Apple tree Lesser Jeans), Russell Simmons (Phat Farm), Kimora Lee Simmons (Infant Phat), Diddy (Sean John and Enyce), T.I. (AKOO), Damon Nuance and Jay-Z (Rocawear), fifty Cent (Grand-Unit of measurement Habiliment), Eminem (Shady Express), 2Pac (Makaveli Branded), OutKast (OutKast Vesture), Lil Wayne (Trukfit), and Kanye W (Yeezy).

Upward-and-coming urban clothing lines have dominated the way in the hip hop genre. Skinny jeans likewise came into style in function due to New Boyz' wiggle dance from the song "You're a Jerk".[ citation needed ]

The hip hop fashion trends of the 2000s were all over the place and inverse constantly, starting with the baller-blazon image. Michael Jordan'southward encompass on Sports Illustrated was an iconic moment in hip-hop mode because he was able to influence millions of people into the direction of baggy shorts, baggy tops, and gold chains. There take been other glory influences amid fashion trends, with most of these influences coming from hip hop artists. Gucci and Louis Vuitton became extremely popular among the hip hop/urban community from the use of the words, "Gucci" and "Louis" in lyrics and music videos.[ commendation needed ]

Throughout these years many mode trends from the 1980s and early 1990s were made popular over again, such as door knocker earrings and form fitting jeans for men. Bright colors and cartoon graphic print hoodies past Bathing Ape made popular by creative person and producer Pharrell also gained popularity. Women wore high heels in all different forms, and many new ideas for shoes emerged, similar the open toed boot.[24]

In contempo years the hip hop globe has seen a resurgence of old fads as well as the emergence of new ones. The last few years of the first decade of the new millennia gave rise to the popularity of tattoos covering artists from head to toe. Soulja Boy, Wiz Khalifa, Lil Wayne and Tyga have set the tendency of being completely "tatted upward."[25] Although having tattoos is nothing new to the music industry, never have tattoos been so pervasive in hip hop. Tattoos covering the face up and the head have also become increasingly popular. Birdman now sports a star tattoo on the crown of his caput, Gucci Mane has an ice cream tattoo on his correct cheek, and Lil Wayne has tattoos on his eyelids and forehead.[26]

1 cannot speak of fashion trends without mentioning the importance of hairstyles, specially for women. In the past few years there has been a resurgence of the asymmetrical pilus cut with a contemporary spin. Stars such as Rihanna, Cassie and Kelis have all prepare the new trend of the half-shaven head.[27]

The reemergence of Adidas track jackets and the use of fashion scarves accept been some of the latest trends to striking the hip hop fashion scene. Adidas tracksuits are certainly not new to hip hop civilisation, as they have been around essentially since commercialized hip hop was created, just they have recently in one case over again become popular.[ commendation needed ]

Fashion scarves have too become popularized in recent years. Kanye Due west is the most recent artist to launch his own line of products by selling decorative scarves with provocative depictions, named Risque Scarves.[28]

Skateboarding fashion has been used in the hip hop scene since the early 2010s, including knit caps, bonnets, fitted pants or shorts, Vans, Nike SB (skateboarding), shirts with sleeves and trinted Tees (brands like OBEY, Supreme, Stussy, Adidas, Supra, Circa, DC, RDS and Emericas). Chris Brown, Tyler The Creator and Lil Wayne article of clothing these in their music videos and concerts.[ commendation needed ]

The rebirth of the 1990s snapback caps is the most notable sign of the new school throwback epitome. The "new" snapback hype started around mid-2010. Around late 2010 and early 2011, the "new" snapback motion exploded. Starter Clothing Line manufactured the nearly sought-later on snapbacks in the 1990s, and made its return as the hype for the hats grew. Many other well-known hat companies started to sell snapbacks, such as New Era, Mitchell & Ness, Reebok, and Adidas. Many notable artists are credited with the improvement of snapbacks past sporting gear from a company named Ti$A Vi$ION. Chris Brown, Tyga, and Big Sean were among the early supporters of this company since 2010. Many urban fashionistas credit Mac Miller, a well-known YouTube MC, with starting the hype with the release of his song entitled "Snap Back", from the mixtape The Jukebox: Prelude to Class Clown, released in June 2009. At that place is controversy as to who started the "new" snapback trend.[ citation needed ]

Hip hop fashion through 2011 included snapbacks, sports vesture, basketball and skateboarding shoes, hoodies, piercings in one ear or both, leather jackets, sleeveless shirts, polo shirts, saggy pants, bikini tops, crop tops, tube tops, tank tops, manufactory trackies and cropped T-shirts.[ citation needed ]

Around 2012, fashion in hip hop saw a shift towards modern "high" streetwear and haute couture brands popularized past online way forums such as Superfuture and Styleforum. Brands such as Rick Owens, Raf Simons, and Saint Laurent Paris are now featured prominently in the lyrics and wardrobes of rappers such as A$AP Rocky, Travis Scott, and Kanye West.[29]

Skater culture is besides prominent in the Hip-Hop scene. The heave in its popularity is largely attributed to culling rapper and leader of the musical group Odd Future, Tyler, The Creator. Brands like Obey, Supreme, Thrasher, and Tyler, The Creator's merchandise line, Golf Wang have besides boosted the significance of skater manner in Hip-Hop.[ citation needed ]

Criticism [edit]

A DJ wearing a zilch-up hoodie and checkerboard frame sunglasses

Commentators from both within and outside the hip hop community have criticized the cost of many of the accoutrements of hip hop way. Chuck D of Public Enemy summarized the mentality of hip hop manner and some depression-income youths every bit "Man, I piece of work at McDonald's, just in order for me to feel skilful virtually myself I got to become a gilded chain or I got to get a fly car in club to impress a sister or whatever."[30] In his 1992 vocal "United states", Ice Cube rapped that "Usa niggaz will always sing the blues / 'cause all nosotros intendance about is hairstyles and tennis shoes".[31] [32] [33] [34] Some fans have expressed disappointment with the increased amount of ad for expensive hip hop brands in hip hop magazines.[35] In one alphabetic character to the editor in Source magazine, a reader wrote that the magazine should "attempt showing some less expensive brands then heads will know they don't have to hustle, steal, or rob and boom shots for flyness."[36] In fact, there were many highly publicized robberies of hip hop artists by the late 1990s.[35] Guru of Gang Starr was robbed of his Rolex watch at gunpoint, Queen Latifah'southward auto was car-jacked, and Prodigy was robbed at gunpoint of $300,000 in jewelry.[35]

Hip hop has sometimes come up nether burn down for glorifying brands that shut it out and for embracing a fashion culture which does not comprehend hip hop or black culture.[37] A dichotomy exists in the "collaboration" betwixt influential hip hop artists who embrace designer brands and fashions, and these same brands that profit from hip hop's influencers. Designer brands such as Louis Vuitton or Versace align themselves with influential musicians because of the potential gains, but simultaneously maintain altitude from these allies exterior of advert, "almost as with a keen desire to concur the controlling paw in these relationships" and control their public image.[38] In these partnerships/collaborations betwixt designers and artists there is sometimes a blueprint of exploitation in which the designers benefit disproportionately more hip hop artists.

A few hip hop insiders, such as the members of Public Enemy, Immortal Technique, Paris and Common, take made the deliberate choice non to don expensive jewelry as a statement confronting materialism.[35]

Gender roles and dress [edit]

Women [edit]

Along with the turning of the tide by select female hip hop artists came the emergence of promoting sex activity appeal through way. Female person artists have faced a number of pressures ranging from gaining exposure to farther their careers as well equally conforming with sure images to remain in demand and relevant. Female rappers in today's time like Cardi B and Nicki Minaj are two of the most popular female rappers and still conform to this standard. The alignment of R&B music with hip hop music (with collaborations being more and more prevalent) placed a whole new category of women within the categorization of what constituted a hip hop artist.

Equally referenced above, the nineties centered around women'south senses of mode revolving around that of men, in that they adopted the use of oversized T-shirts and baggy pants. Also listed above are Aaliyah, TLC, and Da' Brat as conformists to that trend. Female person rap grouping Salt-N-Pepa are considered amongst the frontrunners in leading the transition of moving abroad from the male person alignment and asserting feminism in creating a new sense of dress. They are said to have "wowed fans while wearing hot pants, cut-off denim shorts and Lycra body suits".[39]

"Black women's relationships to their bodies occur within overlapping cultural contexts that offering contradictory messages well-nigh their value and function".[40] In a male dominated order, it is no wonder that women used to work hard to align themselves with male images including how they'd dressed. As women generally gained admission to and exposure within the offerings of several sectors of society, for example music, movies and television set, we saw more images of what constituted attractiveness emerge. Following this came the perception of freedom to express oneself through several avenues including apparel. Rappers Lil' Kim and Eve are known for resorting to trends surrounding being scantily clad with provocative tattoos and being perceived as attractive in the process. Non all female rappers, or female artists in general have resorted to these methods inside their careers. "...the contempo appearance of Blackness women performers, songwriters, and producers in Black pop culture has called attending to the ways in which young Black women use popular culture to negotiate social beingness and attempt to express independence, self-reliance, and agency".[41]

LGBT customs and gender variance [edit]

Hip hop has had a history of homophobia, only recently becoming more than accepting of the LGBT community. Lyrics that openly apply derogatory words such every bit "fag" or "dyke" take saturated the market, even being found in witting rap, considered the about progressive section of hip hop. Marc Lamont Hill argues, "the progressive agendas of political rap artists such equally Public Enemy, X-Clan, Paris, and Sista Souljah were strongly informed past radical Afrocentric, Black Islamic, and crude Black Nationalist ideologies that were openly hostile to queer identities".[42]

The genre has been considered a predominantly hyper-masculine community, with female artists taking on these traits. Female groups and individual artists such as Immature M.A. Conscious Daughters or Aaliyah have dressed in article of clothing considered male person. Wearing baggy clothes was an attempt to shift focus abroad from the trunk and move it towards the music.

Men take too engaged in reversing gender roles through the utilise of manner. Artists such equally Lil Wayne, A$AP Rocky, Kanye W, Immature Thug, and other self-identified straight men have fabricated headlines by their choices of dress. This type of androgynous apparel is not exclusive to recent times though, as the years of hip hop'southward creation saw legends dressed in the disco styles of that era.[43]

Notes [edit]

  1. ^ "The Complete Story Of How Hip-Hop Changed The Way We Dress". FashionBeans . Retrieved 2019-08-01 .
  2. ^ a b c d eastward f Kitwana, Bakari (2005). The Hip-Hop Generation: Young Blacks and the Crunch in African-American Culture. New York: Basic Civitas Books. p. 198. ISBN978-0-465-02979-ii.
  3. ^ "Backpiece jackets - the evolution of the painted jacket by Niklas Worisch - Issuu".
  4. ^ Cochrane, Lauren (2005-09-02). "Specs appeal". The Guardian. London. Retrieved 2010-05-04 .
  5. ^ a b c d e f g h i j Keyes, p. 152.
  6. ^ Quoted in Keyes, p. 152 (quoting Schoolly D. "The Meaning of Gilt." Spin (October 1988), p. 52).
  7. ^ a b c d Lewis/Gray, Tasha/Natalie (2013). "The Maturation of hip hop'south Menswear Brands: Outfitting the Urban Consumer". Fashion Practice. 5 (two): 229–243. doi:10.2752/175693813X13705243201531. S2CID 111293111.
  8. ^ Kitwana, Bakari. hip hop & High Society. Black Book Spring. pp. 112–17.
  9. ^ "The baseball jersey". Uppercase XTRA . Retrieved 2018-04-21 .
  10. ^ "The Virtually Stylish Rappers of the '90sMike D". Complex . Retrieved 2018-04-21 .
  11. ^ "Hip Hop Way in the 90s". filthydripped.com. 6 November 2015. Retrieved 2018-04-21 .
  12. ^ "How Has Hip Hop Influenced Way? | LEAFtv". LEAFtv . Retrieved 2018-04-21 .
  13. ^ "Run-D.M.C.'southward 'My Adidas' and the Nativity of Hip Hop Sneaker Civilisation". The Business of Style. 2014-07-18. Retrieved 2017-12-06 .
  14. ^ "Hi-Top Peak 5 – Greatest Starter Jackets of 80s/90s – Hi-Elevation Table Athletics". 2018-12-07.
  15. ^ a b c d e f Wilbekin, p. 280.
  16. ^ Urbanworld (December 2017). "High Fashion without Hip Hop Collections". Retrieved 2020-01-05 .
  17. ^ Detrick, Ben (2014-12-24). "A '90s Jacket Comes Back Into Fashion". The New York Times. ISSN 0362-4331. Archived from the original on March 8, 2021. Retrieved 2021-07-13 .
  18. ^ a b c d e Wilbekin, p. 281.
  19. ^ a b c Wilbekin, p. 282.
  20. ^ "Remember When Snoop Dogg Did 'SNL' Doggy Style?". Mass Appeal. 2017-05-08. Retrieved 2018-04-21 .
  21. ^ "15 Important '90s Hip-Hop Fashion Trends You Might Have Forgotten". BuzzFeed . Retrieved 2018-04-21 .
  22. ^ Karl Kani
  23. ^ Wilbekin, p. 283.
  24. ^ Claire (2009-12-xxx). "Take it or Leave Information technology? Top Fashion Trends of 2009". Fashion Bomb Daily Style Magazine . Retrieved 2017-08-11 .
  25. ^ hop%E2%lxxx%99s-most-off-the-dome-tattoo-addicts/ "Ink Heads, Hip-Hop's Most Off the Dome Tattoo Addicts" xxlmag.com, December ane, 2009. Appointment accessed: May 9, 2011
  26. ^ "Lil Wayne, Gucci Mane And Game: A Journey Into Face up Tattoos" rapflix.mtv.com, February 23, 2011. Appointment Accessed: May 9, 2011
  27. ^ "Rihanna's shaved head for 'Italian Faddy'". s2smagazine.com, July 7, 2009. Date Accessed: May x, 2011.
  28. ^ "Kanye W's Risque Scarf Line Coming Up". sojones.com, May 9, 2011. Appointment Accessed: May 10, 2011
  29. ^ Babcock, Gregory (2015-09-28). "Fitted Is Better than Baggy - '90s Hip-Hop Fashion Trends vs. Today's Trends". Circuitous. Retrieved 2017-08-xi .
  30. ^ Keyes, p. 172 (quoting Eure and Spady, 1991).
  31. ^ Quoted in Keyes, p. 173.
  32. ^ "Us Video". YouTube . Retrieved ii Dec 2011.
  33. ^ "U.s.a. lyrics". Archived from the original on xix Apr 2012. Retrieved 2 December 2011.
  34. ^ "Us lyrics". Retrieved two December 2011.
  35. ^ a b c d Keyes, p. 172.
  36. ^ Quoted in Keyes, p. 172.
  37. ^ hop-kanye-kimmel-classism-model-casting/525840f978c90a26c40004a5/ "Is Manner Racist?" Hufftington Post Live, October sixteen, 2013. Date accessed: December 8, 2013
  38. ^ Miller, Janice. Fashion and Music. Oxford: Berg, 2011. Print. p. 17
  39. ^ Hook, Sue Vander (2010). Hip-Hop Style. Mankato, Minn.: Capstone Press. ISBN978-1-4296-4017-6.
  40. ^ Lovejoy, Meg (Apr 2001). "Disturbances in the Social Body: Differences in Trunk Epitome and Eating Problems among African American and White Women". Gender and Guild. 15 (2): 239–261. doi:10.1177/089124301015002005. JSTOR 3081846. S2CID 145254943.
  41. ^ Emerson, Rana (Feb 2002). ""Where My Girls At?": Negotiating Blackness Womanhood in Music Videos" (PDF). Gender and Order. xvi (ane): 115–135. doi:ten.1177/0891243202016001007. JSTOR 3081879. S2CID 35432829.
  42. ^ Colina, Marc Lamont (2009-01-30). "Scared Straight: Hip-Hop, Outing, and the Educational activity of Queerness". Review of Education, Didactics, and Cultural Studies. 31 (one): 29–54. doi:10.1080/10714410802629235. ISSN 1071-4413. S2CID 145555758.
  43. ^ "Dressing The Part: hip hop, High Manner & Gender Roles". HipHopDX . Retrieved 2020-05-02 .

See as well [edit]

  • Heavy metal way

References [edit]

  • Keyes, Cheryl L. (2004). Rap Music and Street Consciousness (1st ed.). Urbana: University of Illinois Press. ISBN978-0-252-07201-7.
  • Wilbekin, Emil (1999). "Great Aspirations: hip hop and Fashion Dress for Excess and Success". The Vibe History of hip hop (1st ed.). New York: Iii Rivers Press. ISBN978-0-609-80503-9.

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